Forensic Photography Used In Today’s Society

As the crowd pushes closer around the crime scene and yellow tape gets strung around the place of murder, theft or other forms of violence, little white chalk people get drawn around a corpse and its contortions there from the sidelines with a bag and lighting equipment comes the often unsung hero of our Articles. He or she is an important part of every investigation, with their sharp eye for detail and the patience of Job in the hustle and bustle that never fails to happen as the newest crime gets tagged, bagged and labeled.
I am talking about the Forensics Photographer.

Aside from taking fingerprints, dusting the crime scene and bagging evidence carefully to bring to the forensics lab and later the Court room, Photos are an important part of every crime investigation and later as evidence in Court.

Forensics Photography is a fantastic Tool to collect and catalog Data as well. Sometimes a sweep of the surroundings with the Camera logs in Images which would otherwise would have been overlooked or forgotten. The Person in the third row of the onlookers. That broken piece of glass in the shadow. Our busy Patrol Officer might have not noticed it, but our Camera Lens has picked it up.

One of the most important things in Forensic Photography is the sharpness of the Image. It has to be sharp as a well honed blade. Any fuzziness, pixilation or shake and it is as useless to the Court and the Investigators as an Eagle with pinkeye. The entire case rests on Forensic Photography and any flaw however sight, could cost a case to be lost.

Never, ever disturb the crime scene. The first round of photos has to be taken before anything has been touched, removed or altered. It is the freeze frame of the Crime Scene. The closest you will come to having been there during the crime. So make sure you plan the photo before you take it. Later if you must small adjustments, like the adding of a measuring tool to show distance is permissible, but not during the first go over.

Make sure you get a complete set of shoots. Those should include a close-up, a mid range and a wide angle. The Angel is very important as well. If you use the wrong point of view you may easily undo the best shoot by misrepresenting the relationship of distance to the object etc. Remember, your photo has to show exactly what is set out before you.

You need to record everything in writing. Mark out specific items, but never mark on the photo it-self. For that it is wise to use an overlay that you can remove as is needed. Transparency paper is used for that purpose. Make sure you lighting and exposure is set correctly. There are a lot of extremely good literature available that can teach you how to set your exposure for which light, background and scenario. This helps take the perfect pictures needed.

Lastly but not least. Photos can be messed up easily if your equipment is not in tip top shape. Make sure that your lens is clean at all times of dust. No smutches etc. I know it seems to be a topic that should not even have to be mentioned, but often it is the small things we overlook. After all the entire point of forensic photography is to capture those small seemingly mute points that are often overlooked.

A suggest you make your-self  a check list and place even the most common sense items on your list. Batteries, Film, dust free equipment, tripod, removing the lens cap. You can think of it, write it down. You will be surprised sometimes how easily even the best professional forensic Photographer can make a simple mistake that could have been prevented by a check list. Remember the victim is counting on you too.

In Praise of Digital Photography

In any discipline, you will have what many think of as “the purists”.  Purists are those who revere the way things have always been done and view new innovations in the field as upstarts and obviously of poorer quality than the tried and true methods.

This is nowhere more true than photography.  For decades the film and chemical processing method has undergone continual refinement to achieve higher and higher levels of sophistication and to find higher levels of quality.  Small wonder that when the digital revolution came along, “the purists” were, to say the least, a bit snobby about the idea of professional photography moving in this direction.

But there are some genuine reasons to at least incorporate digital technology into your professional photography game plan.  These reasons are compelling enough that more and more we are seeing the big studios going all digital.  So if you are running an independent photography business or if you are “just” a photography hobbyist (and thank God for the hobbyists), you may have to think through the value of moving to digital processing yourself.

Ease of Use.

The amount of fuss and sheer “stuff” of doing a shoot digitally is dramatically less involved than using the older technologies.  Witness how the digital revolution in photography has revolutionized the personal camera world.  Now people can take as many pictures as they want and have them to review virtually instantaneously.

Probably the biggest leap forward in the use of digital photography is that you can do re-shoots quickly, easily and for virtually no cost.  If you conduct a portrait session with a customer, you can have the “stills” of the session available almost as soon as the session is done.  If a shot was good but not perfect, you can correct it and re-shoot immediately saving huge amounts of time and improving the chances you will get the portfolio you want and that the customer wants on the first session.

Rapid Customer Service.

The impression we get when a technology delivers so much value to the public is that quality will go down.  But, amazingly, this is not the case with digital photography.  If anything, the quality of the photographs is as good or better than any we could do with prior technologies.  And the cost both to you as the photographer and to your customer drops off so dramatically that the age old complaint the customer has had about professional photographs costing too much can be eliminated making the customer want to use your services more often.

Digital photography, being a child of the internet and the digital revolution that has swept our lives via personal computers, can be delivered in a myriad of ways and at a speed that was unheard of prior to the arrival of this technology.  We can deliver the photos via email, by posting them to an online gallery or by burning them to a DVD or CD so the customer can order lots more shots for the same cost and have them delivered in a way that easy to view and store.

Editing

Editing has similarly moved from the realm of the back room wizards to something any of us can do due to the sophisticated computer programs, such as Photoshop, that we can use to improve the pictures we take.  It is really amazing the effects that can be imposed on a picture with this software.  But more importantly we can so much more easily correct minor problems with a photograph so what might have been a lost session can be improved to become acceptable with some clever use of digital editing.

In virtually every way, digital photography, delivery and editing is superior to the way “the purists” would have us hold on to.  It makes our lives as photographers easier, faster and more profitable.  But above all, this is something our customers want us to use.  They get to enjoy their pictures so much faster, at a more reasonable cost and the pictures can be emailed to friends and posted on their family web sites which is fun for everyone.  So despite our desire to be “purists”, every reason we need is there to convince us that digital photography is the way to go.

A Career In Fashion Photography

We see them everywhere, in Magazines, on the Run Way, in advertisements on TV. They are the slender women strutting their stuff or extra ordinary Beauties with their sultry looks flashing their pearly whites while wearing the newest Styles from the hottest Designers. We are talking about the fashion models of today, yesterday and tomorrow. They are everywhere we look, but who brings them to us? Their images are captures with care and precision, patience and that special look for style, color and lighting composition. I am talking about the fashion photographers.

In the fashion circles famous names like Mario Testino (easily one of the hottest names out there) and Eva Mueller (photographer for Fashion Magazine Allure) are just as sought out if not more then those men and women sauntering their way into our conscious.

High Paychecks and glamour’s Lifestyle of hob nobbing it with the rich and famous might be the dream of many young shutterbug, however it is not easy to reach the golden Staircases of the well-known fashion houses and magazines. For every one talented photographer, hundreds are left panting at the sidewalk, only dreaming about the moment that their photo will be chosen.

Here are a few tips for the novice and dreamer of dreams in getting started in fashion photography. Study your subject. You can never learn enough. Read and look at any fashion Magazine you can get your hand on. There are fantastic books on Fashion and fashion photography available. Amazon.com has a true treasure trove available.
You need one or two good cameras, tripod and a lighting system. Always make sure that you have plenty of film and batteries available. SLR and digital cameras take different photos, so make sure you find the best for your field.

When submitting your work, hopefully to give a chance you have to have a portfolio on hand, just in case the editor of the fashion magazine wants to see samples of your work. I assure you if they consider working with you that is going to be a fact.
The sharp, bright images of a 4X5” transparency show of your work to its best effort. If you have already had a publication, no matter if, it was a small neighborhood magazine/paper or a contest a tear sheet (literally a sheet you tore out of the magazine) works well. If neither is at hand a good high quality 8 X 10 “is acceptable as well. You want to make sure that you have a minimum of 20 photos in your portfolio and preferably different styles. You want to show your expertise in full figure or just partial body parts.

Remember, fashion includes jewelry and accessories. Sometimes a watch from a famous maker on the slender wrist of a beautiful woman is a good fashion shoot. If you are applying for the job, be prepared to leave your Portfolio behind for an extended period of time, sometimes as much as a couple of weeks. I would advice you to make copies and have several on hand. This comes in handy when showing your work to many different people for consideration for fashion work.

In the time of modern technology, it is good to display your talent as a fashion photographer online as well. Set up a website; submit your photos to contests. Submit them to an online fashion gallery. This helps with getting your work seen and people can see what type of work you actually do and can do for them.